How many recordings use ISWC T-070108348-8?

ISWC T-070108348-8 has 3 recordings (ISRCs) associated with it. Each recording is a distinct version — such as the original, a remix, a live performance, or a cover.

ISWC · Musical Work

T-070108348-8

Q: What is ISWC T-070108348-8?

ISWC T-070108348-8 identifies the musical composition "March of the Siamese Children". ISWCs are defined by ISO 15707 and managed by CISAC to uniquely identify the underlying song — the melody, lyrics, and arrangement.

March of the Siamese Children

3 recordings

Credit Chain

ISRC3 recordings

ISWCMarch of the Siamese Children

Recordings (3)

The King and I: March of the Siamese Children

Boston Pops Orchestra, Arthur Fiedler

USBC15900163

The March of Siamese Children

Percy Faith & His Orchestra

USSM10301912

THE MARCH OF SIAMESE CHILDREN, FROM THE MOTION PICTURE “KING AND I”

EVERYTHING PLAY

JPCR08800560

Artists

[unknown]20th Century‐Fox OrchestraAlfred Newman Arthur FiedlerBoston Pops OrchestraEric Hammerstein EVERYTHING PLAY Frank Chacksfield & His Orchestra Frederick DvonchHammersteinhis OrchestraHollywood Bowl OrchestraJames Walker Joe “Fingers” Carr John Mauceri Kenny Ball Kenny Ball & His JazzmenLondon Philharmonic OrchestraLondon Promenade OrchestraLouis LaneMalcolm Lockyer and His OrchestraMichael Rafter Milton RosenstockMunich Symphony OrchestraNational Symphony OrchestraPercy Faith & His OrchestraRichard Hayman Rodgers Ronald Demkee Shelly Manne Ted Sperling The Allentown BandThe Cleveland OrchestraThe Cleveland Pops OrchestraWilliam Kidd

SourcesMusicBrainzCISACNotes3 sources

What is ISWC T-070108348-8?

T-070108348-8 is an International Standard Musical Work Code (ISWC) that uniquely identifies the musical composition "March of the Siamese Children". ISWCs are defined by ISO 15707 and managed by CISAC. Unlike ISRCs which identify recordings, an ISWC identifies the underlying song — the melody, lyrics, and arrangement.

This work has 3 recordings (ISRCs) associated with it. Each recording represents a distinct version — such as the original, a remix, a live performance, or a cover — that shares the same underlying composition.